Topeng Kaca dan Daydreaming
It
turns out my promise wasn’t suci-suci amat ya buat blog ini…
Maafkan
saya pemirsa…
I
started a business, it made me terribly busy… More importantly, I have the
ULTIMATE JANJI SUCI that needs focus and attention, thus the neglect of the
promise on the previous post… Banyaknya alasanku… Tapi nda sempat ka memang
gang…
OK
WITHOUT FURTHER DELAY!!!!
TOPENG KACA (Garasu No Kamen) – Mahakarya SIZUE MIUCHI
TOPENG KACA (Garasu No Kamen) – Mahakarya SIZUE MIUCHI
**SPOILER
ALERT**
Semua
yang
suka komik dari tahun 90an, terutama cewek, pasti tahu tentang komik
teater ini. The story line is captivating, complicated without being
overly exaggerated. Not to mention the beautiful drawing, with big
sparkly crytal eyes. Very 80s shojo manga.
It
is based on a big story line, the ultimate question that has not been
answered for decades: SIAPAKAH YANG AKAN MENJADI BIDADARI MERAH??
That is the one question
that I praaaaaay - oh dear Holy Entity pleeeeeease – give me the answer before I
leave this world.
Apakah Maya Kitajima akan menjadi Bidadari Merah? Sekaligus mendapatkan Masumi Hayami?? Apakah dia akan mendapatkan her happy ending kasian??
Atau kah Ayumi Himekawa si selebriti sempurna?? Few years back tanpa ragu saya berpihak sama Maya ya. Ayumi di atas kertas memang sempurna dan karakternya berkembang secara alami...Cuma we know deep down that traditionally, the imperfect clumsy normal main heroine would somehow end up winning. Tapiiiiii!!!! Tiba-tiba Ayumi diibuat buta coba sama si pengarang coba.
Miuchi
sensei disappear for a decade without finishing her own masterpiece. Then she
decided to continue the series, which is great btw. And then she was like “OK
let’s make Ayumi blind so everyone starts reading again.”
WHY
OH WHY SENSEIIII KASINAAAAAA….
Sekarang
I honestly can’t pick a favorite… Antara kasihan sama Ayumi si gadis buta
cantik dengan Maya yang MDL (malang dari lahir). Apakah Maya akan melepas Bidadari Merah dan
meraih cinta dengan Masumi? Mana tiba2 tunangannya Masusmi jadi gila ka apa
opole… Dramanya…
Truthfully I can’t say I like the time setting change as well…. Miuchi sensei decided to continue the series with time adaptation to recent time, thus the technology changes in the manga. However, I like it the 80s kind of way, from where the manga started its story… No cellphones, no internet… Just theater and sometimes big screen activities.
Truthfully I can’t say I like the time setting change as well…. Miuchi sensei decided to continue the series with time adaptation to recent time, thus the technology changes in the manga. However, I like it the 80s kind of way, from where the manga started its story… No cellphones, no internet… Just theater and sometimes big screen activities.
And
it becomes somewhat irrelevant with today’s reality. A rivalry between two
young actresses to get the role of a legendary play should become a public
fiesta, should it not? So naturally, if it does take the modern setting, it
would have some sort of public voting or netizen polling of some sort.
I
personally find the new series lacking… The story feels like being dragged, the
drawing isn’t as strong as it was… That’s just my opinion, though.
Regardless,
I still read them because again: I NEED TO KNOW WHO THE BIDADARI MERAH IS.
I
truly wish, before I die, I should get the answer of that question.
OK NEXT
TOPIC.
DAYDREAMING
/ Yumono Mahiru – YOSHIMURA AKEMI
Now
this one.
It
is
full with powerfull words. So many of it I actually memorize some of
them. Yoshimura Akemi is a genius when it comes to novel like manga...
Almost graphic novel. The scene drawings are always impecable. She also
tends to write characters who argues really well. Akemi sensei is really
good in producing emotional dialogues. Most of the quotes I like from
her works come from the arguing scenes. Akemi sensei would build up
tension and climax the scene in though provoking dialogues. Examples to follow.
Daydreaming or Yumono Mahiru is a story of a girl who lives with an elderly woman who has quite a particular
family. The elderly lives by herself after her husband passed away so she open
a room for rent, thus enter the weak hearted girl. Later they were joined by
the granny’s grandchild. The grandchild was a guy who “works’ as a spiritual
medium for religious ceremonies.
It
is very Yoshimura Akemi sensei. The circumstances setting are unique. She likes
to have elderly characters on her work, as well as plenty of
arguing-your-heart-out scene.
The
girl likes to live with the granny because she can learn how to be strong
hearted.
Some
quotes that I truly like:
“Dia
lawan. Pahami itu dengan jelas. Jangan memperlihatkan kelemahanmu. Lindungilah teritorimu dengan sekuat
tenaga!”
This
following quote is my favorite scene. These lines are the very reason why at this age I still read mangas.
So the story
was, the granny’s eldest son had an illegitimate child. The said illegitimate child came to granny’s
house demanding for her attention.
“Kamu meremehkan selember kertas (referring to kartu keluarga). Tapi
karena tidak ada ketulusan untuk
mendapatkan selembar kertas itu, kamu tidak diakui.”
“Selember
kertas? Huh! Orang yang meremehkan
peraturan jangan bicara soal hak.”
“Kalau
kamu bilang darah lebih penting daripada kartu keluarga, perasaan juga lebih penting daripada darah. Mana mungkin
aku tiba-tiba sayang pada orang yang baru muncul dihadapanku kemarin dan hari
ini? Nggak tahu malu juga ada batasnya,
tahu!”
“Aku
punya sembilan orang cucu yang terdaftar, sedarah, dan sah. Semuanya
kubeda-bedakan. Aku hanya menyayangi cucu yang kusukai.”
Powerful stuff, yo.
Another
scene.
“Mana
ada orang yang menghormati orangtua serakah yang menghabiskan sisa hidupnya
demi diri sendiri dan hidup berumur panjang dengan sia-sia?! Bagaimanapun juga pasti mati! Jadi selama semangat dan kekuatan fisik
masih ada, buatlah kontribusi untuk masyarakat, maju terus ke depan, demi
dunia, demi manusia, baru mati! Kalau punya semangat bertarung seperti itu,
baru ada gunanya kau hidup!!”
“Aku
merasa seperti ada dirimu tumbuh dalam hatiku, seperti pucuk bunga yang sedang
berkembang.”
Which
reminds me of this one. It wasn’t from Daydreaming, but it was Yoshimura
sensei’s:
“Semua
anak perempuan itu bunga yang akan mekar. Kalau kamu, pasti tidak akan salah
memekarkannya.”
It
has such deep meaning… Every girl is a flower. Every girl will bloom. But blooming
is a process, which the girl has the responsibility to decide on how she would
bloom and would become…. What kind of flower you’d be is up to you.
I
pray that you readers bloom your flowers beautifully.
Please
pray that my ULTIMATE JANJI SUCI procession will run well, readers.
Best
wishes,
Elsap.
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